叙事是人们将各种经验组织成现实意义的事件的基本方式。而作为身体叙事,则是以身体为媒介向我们表述了这一切。刘铮的个展《惊梦:作为微观政治学的身体叙事》就是以这样一种方式,向我们表述了他的微观政治学。微观政治学是以个体为研究对象的,在对于个体与群体的相互关系的影响中,得出一定的结论。个人认为,其实质是对于人类文化的研究。而刘铮在这个展览中所向我们表述的,正是一种艺术家个人对于这个世界的探究与回应。看着眼前的件件作品,确实会把一个沉溺于美好幻梦中的人惊醒。惊讶于一幅幅图像向我们表达的绝望抑或焦虑,惊醒于我们凝视这些图像时所幻现出的种种异象。原来世界还有如此一面。
作为身体叙事,这次展览可以说是成功的。他毕竟在这个波动的时段中严谨细致的引导我们作了一些探究,让我们重新去解读身体,表达身体,应用身体。为我们的肉身表达在禁忌游戏中重新找回活力。但是,其中的戏剧人物系列,在利用中国传统文化的时候似
1. China Academy of Arts Xiangshan Campus (Amateur Architecture Studio, Hangzhou)
The new Xiangshan campus of the China Academy of Arts (CAA) in Hangzhou ranks among China's most intriguing works of architecture from the last few years. Designed by Wang Shu and Lu Wenyu – principals of Amateur Architecture Studio and professors at the Academy – the campus updates the notion of “critical regionalism.” In the architects' words, the campus, by “creating layers of depth, adopting cross-references and modern interpretations on traditions," offers "templates for a modern take on the old pagodas, temples, courtyards, and mountains.” The campus is a remarkable example of critical architectural experimentation, balancing between modernism and tradition while remaining distinctively Chinese in its identity.
2. National Stadium (Herzog & de Meuron, in collaboration with Ai Weiwei, Beijing)
The unavoidable masterpiece of the 2008 Beijing Olympic Games. An instant classic of modern architecture, both timeless and placeless, even if the “Bird's Nest” could not have been build any